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OJ 11/42, [27] : 12-23-1896

Handwritten letter from Harden to Schenker, dated December 23, 1896

23 12 18966
8 Königin Augustastrasse

Sehr geehrter Herr,

es thut mir aufrichtig leid, aber einen solchen Artikel kann ich nicht anonÿm bringen.1 Nehmen Sie herzlichen Dank, auch für Ihre liebenswürdigen Worte. Ich glaube auch, daß es Zeit ist, den „Modernen" urwüchsig grob entgegenzutreten. Kennen Sie die versunkene Glocke?2 Das ist der höchste Heurige. Hofmannsthals3 Gedichte kenne ich nicht, er schrieb mir neulich sehr leutselig, freilich aus der Höhe, ich hörte stets, er sei ein außerordentliches Talent.

Also; nochmals mein Bedauern!

Mit guten Festgrüßen, in herzlicher Hochachtung
Ihr ergebener
[signed:] Harden

© In the public domain.
© Transcription William Pastille 2006.

Handwritten letter from Harden to Schenker, dated December 23, 1896

December 23, 18966
8 Königin Augustastrasse

Dear Sir,

I am truly sorry, but I cannot publish this sort of article anonymously.1 Please accept my sincere gratitude, and for your kind words as well. I too believe that it is time to confront the "moderns" head-on. Do you know The Submerged Bell?2 It's the hit of the season. I don't know Hofmannsthal's3 poems; he wrote to me very affably just the other day, completely out of the blue; I've always heard that he is an exceptional talent.

So: once again, my regrets!

With good wishes for the holiday, in sincere esteem,
Yours truly,
[signed:] Harden

© Translation William Pastille 2006.

COMMENTARY:
Format: 1p letter, holograph address, message, and signature
Sender address: [Berlin W.9,] 8 Königin Augustastrasse
Recipient address: --

FOOTNOTES:

1 Schenker's request is not known to survive. It is noteworthy that Schenker published his Harmonielehre (1906) at first anonymously as "by an artist" [von einem Künstler].

2 A play by Germany's leading exponent of dramatic Naturalism, Gerhard Hauptmann (1862-1946), which premiered in Berlin on December 2, 1896. This play is quite unlike Hauptmann's earlier work, which is reminiscent of Ibsen in its depiction of the physical and psychological stresses of modern industrial materialism; it is instead a dramatic fairy-tale, suffused with dark, romantic magicalism. Schenker's diary contains notes on three Hauptmann plays: Führmann Henschel (1898; OJ 1/2, p. 6), Und Pippa tanzt (May 27, 1906; OJ 1/5, p. 13), and Florian Geyer (June 1, 1907; OJ 1/6, p. 43).

3 Hugo von Hofmannsthal (1874-1929), Viennese poet, librettist, and dramatist.

SUMMARY:
Harden rejects the notion of publishing an article by Schenker anonymously; he agrees with Schenker that a frontal attack on modernism is necessary; he says he does not know Hofmannsthal's poetry, but hears he has great talent.

© Commentary, Footnotes, Summary William Pastille, 2006

Pastille, William
Harden, Maxilimian
DE
Schenker Documents Online--Ian Bent
Harden, Maximilian; Schenker, Heinrich; Hauptmann, Gerhard; Versunkene Glocke; Ibsen; Hofmannsthal; poetry
Handwritten letter from Harden to Schenker, dated December 23, 1896
OJ 11/42, [27]
1896-12-23
2008-03-13
Harden
In the public domain
Schenker, Heinrich (1896-1935)--Schenker, Jeanette (1935-c.1942)--Ratz, Erwin (c.1942-c.1955)--Jonas, Oswald (c.1955-1978)--University of California, Riverside (1978--)
IPR: in the public domain; Image: University of California, Riverside; Transcription, Translation, Footnotes, Commentary: William Pastille.

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