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OJ 11/42, [16] : 7-15-1894

Handwritten postcard from Harden to Schenker, dated July 15, 1894

{recto}
[preprinted form with handwritten address information]
Deutsche Reichspost
Postkarte

An [/] Herrn Dr. H. Schenker
in Kautzen [indecipherable symbols] / Oesterreich
Wohnung [intentionally left blank]

[postmark:] || Berlin W. c | 9 | 15/7 | 94 | 2-3N. ||
[postmark:] || Kautzen | 17 | 7 | 94 ||

{verso}
[handwritten, in upright format:]

Sehr geehrter Herr,

im Prinzip bin ich durchaus einverstanden. Natürlich muß ich von Fall zu Fall ein Urtheil vorbehalten. Die Neue Revue1 ist ja gewiß schön, aber da haben Sie kein Publikum, u. das ist auch nicht ganz unwichtig.2

Rosenthal3 u. Brahms tacent.

Mit verbindlichen Grüßen

Ihr ergebener
[signed:] Harden
15/7 94

© In the public domain.
© Transcription William Pastille 2006.

Handwritten postcard from Harden to Schenker, dated July 15, 1894

{recto}
[preprinted form with handwritten address information]
German Imperial Post
Postcard

To Dr. H. Schenker
in Kautzen [indecipherable symbols] / Austria
Address [intentionally left blank]

[postmark:] || Berlin W. c | 9 | 15/7 | 94 | 2-3PM ||
[postmark:] || Kautzen | 17 | 7 | 94 ||

{verso}
[handwritten, in upright format:]

Dear Sir,

In principle, I am in complete agreement. Naturally, I have to reserve judgment from case to case. Die Neue Revue|1 is well and good, but you have no public there, and that is not an entirely trivial matter.2

Rosenthal3 and Brahms tacent [are not responding].

With collegial greetings,

Yours truly,
[signed:] Harden
July 15, 1894

© Translation William Pastille 2006.

COMMENTARY:
Format: printed postcard, holograph address recto, holograph message and signature verso
Sender address: --
Recipient address: Kautzen, Austria

FOOTNOTES:

1 The Neue Revue was a literary magazine in Vienna, in which Schenker had by this time already published several articles.

2 This message seems to indicate that Schenker had asked Harden for his approval in regard to publishing something in Vienna on which Harden presumably had some claim.

3 Click on Moriz Rosenthal. Harden is hoping that either Brahms or Rosenthal or both will contribute something on Bülow to Die Zukunft, and he is using Schenker as a go-between. See OJ 11/42, [14] and [15].

SUMMARY:
Harden agrees in principle to Schenker's publishing elsewhere some material on which Harden had some claim; he advises Schenker that he has no following among the audience of Die Neue Revue; he has heard nothing from Brahms or Rosenthal about contributing something about Bülow to Die Zukunft.

© Commentary, Footnotes, Summary William Pastille, 2006

Pastille, William
Harden, Maxilimian
DE
Schenker Documents Online--Ian Bent
Harden, Maximilian; Schenker, Heinrich; Neue Revue; Rosenthal, Moriz; Brahms
Handwritten postcard from Harden to Schenker, dated July 15, 1894
OJ 11/42, [16]
1894-07-15
2008-03-05
Harden
In the public domain
Schenker, Heinrich (1894-1935)--Schenker, Jeanette (1935-c.1942)--Ratz, Erwin (c.1942-c.1955)--Jonas, Oswald (c.1955-1978)--University of California, Riverside (1978--)
IPR: in the public domain; Image: University of California, Riverside; Transcription, Translation, Footnotes, Commentary: William Pastille.

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