Handwritten postcard from Harden to Schenker, dated October 4, 1894 {recto} An [/] Herrn Dr. H. Schenker [postmark:] || Berlin W. c | 9 | 4/10 | 94 | 6½ -7N. || {verso} Sehr geehrter Herr, mit Allem einverstanden. Bitte, drängen Sie Brahms!!1 Ich glaube, d'Albert2 wird Vortheil haben. Besten Gruß Ihnen u. Gelber,3 dem Bösen[,] von [postscripts:] Mein „Parsifal" war wohl dummes Zeug?5 © In the public domain. |
Handwritten postcard from Harden to Schenker, dated October 4, 1894 {recto} To Dr. H. Schenker [postmark:] || Berlin W. c | 9 | 4/10 | 94 | 6½ -7PM || {verso} Dear Sir, Agreed on everything. Please, press Brahms!!1 I think d'Albert2 will benefit. Best regards to you and the misbehaved Gelber,3 from Yours truly and stood-up, [postscripts:] The Wagners, mother and son, spoke very cordially to me about Humperdinck.4 My "Parsifal" was probably rubbish?5 © Translation William Pastille 2006. |
COMMENTARY: FOOTNOTES: 1 Harden has been using Schenker as a go-between to try to persuade Brahms to write something for Die Zukunft in support of a proposed monument for Hans von Bülow. See OJ 11/42, [14], May 11, 1894. 2 Click on Eugen d'Albert. 3 Probably the scholar of German language and literature, Adolph Gelber (1856-1923). 4 The German composer Engelbert Humperdinck (1854-1921), who assisted Wagner in preparing the first performance of Parsifal in 1881-82 at Bayreuth, and who was private music tutor to Wagner's son, Siegfried in 1889-90. (NGDM) 5 The reference is presumably to an unidentified publication of Harden's. SUMMARY: © Commentary, Footnotes, Summary William Pastille, 2006
|
|