Handwritten postcard from Harden to Schenker, dated June 27, 1893 {recto} An Herrn Dr. H. Schenker [postmark:] || Berlin W. c | 9 | 28 6| 93| 1-5V. || {verso} Sehr geehrter Herr, ein kl. Ueberblick--ohne Realismus1--über den Sonzogno-Markt2 wird mir sehr willkommen sein. Den Smetana|3 fand ich vortrefflich. Besten Dank! Grüßen Sie mir Gelber,4 der nicht kam u. nicht schreibt. Mit bestem Gruß, in wilder Hast Ihr © In the public domain. |
Handwritten postcard from Harden to Schenker, dated June 27, 1893 {recto} To Dr. H. Schenker [postmark:] || Berlin W. c | 9 | 28 6 | 93| 1-5AM || {verso} Dear Sir, A brief overview--without Realism1--of the Sonzogno market2 would be very welcome. I found the Smetana3 splendid. Many thanks! Send greetings for me to Gelber,4 who didn't come and isn't writing. With best wishes, in wild haste, © Translation William Pastille 2006. |
COMMENTARY: FOOTNOTES: 1 That is, without a discussion of Realism. 2 This would eventually become "Der Sonzogno-Markt in Wien," which appeared in Die Zukunft on August 5, 1893. In that article, Schenker critiques the consequences of the Viennese market for Italian operas largely subvented by the Italian publishing house Sonzogno: "We deserve, quite candidly, everything unpleasant that Sonzogno and Ricordi may yet visit on us in the future, since we are paying the price for abandoning the great prophets of our own art." („[W]ir verdienen wohl redlich alles Uebel, das Sonzogno und Ricordi in Zukunft uns noch bescheren mögen, da wir den Abfall von den großen Propheten unserer eigenen Kunst büßen." Heinrich Schenker, "Der Sonzogno-Markt in Wien," in Hellmut Federhofer, Heinrich Schenker als Essayist und Kritiker ... (Hildesheim: Georg Olms Verlag, 1990), p. 55.] 3 This article, "Friedrich Smetana," was published in Die Zukunft on July 1, 1893. It is reprinted in Hellmut Federhofer, Heinrich Schenker als Essayist und Kritiker ... (Hildesheim: Georg Olms Verlag, 1990), pp. 48-53. 4 Probably the scholar of German language and literature, Adolph Gelber (1856-1923). SUMMARY: © Commentary, Footnotes, Summary William Pastille, 2006
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