Handwritten postcard from Ernst Mach to Schenker, dated December 2, 1896] {recto} Correspondenz-Karte.|1 [postmark:] ||WIEN 3/3 | 49 | 2.12.96 | 3-4N || {verso} Es scheint mir, dass die Ansichten, welche Sie zur Sprache gebracht haben3, einen gesunden Kern haben, und verdienen verfolgt zu werden. Die Discussion wird jedenfalls förderlich und anregend sein, auch wenn Sie nicht in allen Punkten Recht behalten sollten. - Dr Wallaschek4 wohnt IV Waaggasse 11, falls Sie zu ihm in Beziehung treten wollten. Mit hochachtungsvollem Gruss © IPR in public domain. |
Handwritten postcard from Ernst Mach to Schenker, dated December 2, 1896] {recto} Postcard|1 [postmark:] ||WIEN 3/3 | 49 | 2.12.96 | 3-4N || {verso} It seems to me that the opinions you have voiced3 are essentially sound and deserve to be followed up. However, the discussion will be beneficial and stimulating even if you are not correct on every point. - Dr. Wallaschek4 resides at Waaggasse 11, Vienna IV, if you wished to contact him. With my respectful greetings, © Translation Geoffrey Chew, 2006. |
COMMENTARY: FOOTNOTES: 1 Transcribed, slightly shortened and with some variants, in Hellmut Federhofer, Heinrich Schenker nach Tagebüchern und Briefen ... (Hildesheim: Georg Olms, 1985), 14-15. 2 "H. H. Dr": Hochverehrter Herr Doktor. 3 It is not clear whether Mach is referring to a lecture or to an article by Schenker, which the latter had possibly sent to him. As Federhofer suggests (Heinrich Schenker nach Tagebüchern und Briefen ... (Hildesheim: Georg Olms, 1985), pp. 12, 15), a reference to a lecture in the Philosophische Gesellschaft der Universität Wien, where Schenker spoke about his article "Der Geist der musikalischen Technik," is conceivable. 4 The lawyer, aesthetician and music critic, Richard Wallaschek (1860-1917), first qualified for his academic career in 1887 with a Habilitation in philosophy at the University of Freiburg im Breisgau. After a lengthy stay in London, he lived from 1896 in Vienna, where he wrote another Habilitation in psychology and musical aesthetics at the University of Vienna, under the physicist and theoretical scientist Ernst Mach and the philosopher Friedrich Jodl (1849-1914); from 1897 he taught there. He is regarded as a founder of Viennese comparative musicology. See MGG 14 (1968), col. 167f.; Hellmut Federhofer, Heinrich Schenker nach Tagebüchern und Briefen ... (Hildesheim: Georg Olms, 1985), p. 15; NGDM2 27, p. 37f. SUMMARY: © Commentary, Footnotes, Summary Martin Eybl, 2006
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